It basically brightens the exposure for if I’m composing in a dark setting. “Bright Monitoring is an important feature to me. This setting doesn’t brighten the screen, it brightens the exposure in the viewfinder/LCD but not in the resulting image, making it easier to compose and focus. Hart makes sure he sets one of his custom buttons for Bright Monitoring so he’s easily able to change it. I will have enough information to set it to whatever I need it to be in post as well as all of the other stuff like contrast and saturation.” When I’m shooting RAW I just have my camera set to auto white balance because it doesn’t matter. So you have to make all of these decisions regarding white balance, contrast, sharpening, because they get applied to the JPEG. When you're shooting JPEG, the output is going to be a processed file and it's going to be compressed so information gets thrown out. You have to make fewer decisions at capture when you're shooting RAW than when you're shooting JPEG. He continues, “But number two, and this is something I don't think people really appreciate completely, is it's easier in the field. In general, when a photographer shoots RAW, they're giving themselves a greater margin for error because they're getting more information. I’m all about increasing my margin for error. Compressed is probably fine 99% of the time, but storage is cheap and you never know when that 1% might creep up. This allows him to capture as much information as possible and also takes some of the pressure off when you’re out in the field. When Hart is capturing landscapes, he sets his camera to shoot uncompressed RAW. How exactly should you set it up? Hart explains the process in depth HERE.
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Being able to switch seamlessly between auto-focus and manual focus is very important for a landscape shooter.” Hart has a specific way he sets up his Back-Button Autofocus so he can easily switch between manual and auto while out in the field shooting, “You want to make sure that your back-button focus is set up the right way so it runs seamlessly. Set Your Back-Button Autofocus For Seamless Transition But when your subject is stationary, you really want to take motion out of the equation and the tripod is what does that for me.” 2. I'm sure there are a few situations where you wouldn't want to be on a tripod. “If you're a landscape shooter, there's no excuse for not being on a tripod,” Hart says. Use A Tripodīefore worrying about camera settings, you want to make sure you have a sturdy tripod to safely stabilize your camera. Professional landscape photographer and Sony Artisan Gary Hart shares his camera setup tips for creating beautiful landscape imagery. Below he shares his 10 camera setup tips that help him prepare when shooting landscape photography. Over time, Hart, who has previously shot with the Alpha 7R III and now the Sony Alpha 7R IV, has determined a few ways to set up his camera that makes capturing landscapes easier for him. His expertise makes him an excellent teacher, and he leads photo workshops throughout the year in popular places like Yosemite and Grand Canyon National Parks. Professional landscape photographer and Sony Artisan Gary Hart has many years of experience photographing landscapes all over the world.
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